Most people spend their lunch hours…well, eating lunch, I suppose. I don’t normally have time to take an hour, as it happens, and while I do manage to eat at some point, I tend to spend my midday repast watching documentaries online. Over the past few weeks, I’ve been delighted by several television programs hosted by British historian Lucy Worsley. Dr. Worsley is Joint Chief Curator at Historic Royal Palaces, the charitable institution that runs and maintains several famous royal residences in Britain, including Hampton Court Palace and the Tower of London.
A television documentary charting the origins of the palace of Versailles, or the rise and fall of the Romanov dynasty, might seem the sort of thing that only a real history nerd could love, and I make no apologies for being just that sort of nerd. Yet Dr. Worsley is not the sort of dry, boring history professor that one might expect to tackle such subjects. She’s smart, sassy, and just a tiny bit saucy, so that you never quite know what she is going to do next.
Take “If Walls Could Talk”, a four-part series about the domestic history of the English home. Each episode tackles a different room of the house: living room, bathroom, bedroom, and kitchen. Dr. Worsley traces the development of each room from the Middle Ages up to the present day, and during the course of her journey she not only educates the viewer, she manages to make him laugh as well.
In “The Bedroom” for example, I learnt the origin of a number of common phrases in English whose origins I never stopped to question before, such as “hitting the hay” or “sleep tight”. We get to see what went into the construction of a bed from the Tudor period, as well as some of the bizarre nighttime rituals which our forbearers engaged in to try to keep both critters and evil spirits away, when they turned in for the night. In order to prevent what otherwise could have turned into a rather dry presentation of facts from becoming dull however, Dr. Worsely plays dress-up, and goes about doing some rather unusual things.
In “The Bathroom”, in order to demonstrate the bizarre 18th century medical advice which recommended sea water as a cure-all, she dons a Georgian bathing costume, downs an atrocious-looking drink made of milk and sea water – “This tastes exactly like vomit,” she remarks, in her wonderfully unique accent, after spitting out the noxious concoction – and then plunges into a very cold and rough-looking sea. Later in the same episode, in order to demonstrate how far bathroom development had come by the Art Deco period, she checks into a suite at Claridge’s Hotel in London, gets a period makeover (including having her hair set in a Marcel wave), and shows how a glamorous film star of the 1930’s would have relaxed in a state-of-the-art luxury hotel bathroom, complete with cocktail and bubble bath.
Lest one think that this is merely history as popular entertainment, Dr. Worsley manages to bring some real historical analysis into these programs, by examining not only the motivations of the people involved, but also by looking more closely at some of the documents or objects associated with them. In her survey of the Hanoverian monarchs for example, she draws our attention to the almost hereditary problem of father-son strife that occurred during the reigns of the first four Kings George, where each father as he ascended the throne managed to alienate his son and heir into setting up his own, rival court. This allowed rival factions in Parliament to politically manipulate king and crown prince into casting their support in one direction or another, with respect to the development of policy.
In tracing the time that the Mozart and his family spent in London when the great composer was just a child prodigy, Dr. Worsley reads to us from letters which Mozart’s father Leopold wrote back to Austria, giving a foreigner’s perspective on the moreys of English society at the time. She also shows us how propaganda, published in the Georgian equivalent of the tabloid press, was used both by Mozart’s detractors, as well as by the Mozart family itself, to affect the boy genius’ career. And because she herself is a competent pianist, Dr. Worsley gets to sit down at the keyboard with musicians and musicologists, in order to look at some of the complex compositions coming from the mind of this wunderkind.
Many of Dr. Worsely’s documentaries are available to stream on YouTube, but her work can also be found through PBS and other sources. I encourage you to take the time to seek her out. You’ll not only learn a great deal, while appreciating her rather impish sense of humor, but you’ll have a great time while doing so.