Two DC Christmas Events To Calendar

As subscribers know I normally only post twice a week, but for those of you in the DC area I wanted to share two upcoming events that may be of interest. There are always many Christmas-related events here in the capital, and if you don’t put them on your calendar ahead of time, you tend to forget until the day of – or worse, until after they’ve already past. So here goes:

CHRISTMAS POETRY PARTY
Thursday, December 14th @ 6:00 pm
Catholic Information Center
1501 K Street, NW
Metro: McPherson Square
Admission: Free, but please RSVP

This annual gathering is co-hosted by the Thomas More Society of America and the Catholic Information Center, and features seasonal treats as well as Christmas-related poetry (and the odd bit of prose) readings by members and supporters of the Society and the CIC. The event always draws a lively crowd, and I’m honored to have been asked to give recitations for the past several years in a row. Prior attendees have now come to expect that my particular reading will be…a bit different from the others. Please drop in and if you spot me, come over and say hello!

CHRISTMAS CONCERT AND CD RELEASE
Tuesday, December 19th @ 7:30 pm
St. Stephen Martyr Catholic Church
Metro: Foggy Bottom
Admission: Free (donations suggested; CD’s available for purchase)

Those of you who follow me on social media know how often I mention what a magnificent job the music ministry does at my parish of St. Stephen’s in Foggy Bottom; you may have even listened to some of my (not-so-great-quality) recordings of them at work, such as this one. Now you have the chance to hear our superb organist/music director Neil Weston – shown here playing the church’s organ – and the members of the choir in action, as they perform Christmas carols and celebrate the release of their latest album, commemorating the 150th anniversary of the founding of St. Stephen’s. Every single person whom I have ever brought to St. Stephen’s has remarked on how glorious the music is, even better than those at other, not-to-be-named Catholic houses of worship in this city of greater size but lesser acoustics. I can guarantee that you will not be disappointed if you decide to honor us with your attendance.

 

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Thought-Pourri: Art News This Week

Before we take a look at some arts stories that caught my interest this week, I want to invite you to join me for a Baroque concert at my parish of St. Stephen Martyr in Foggy Bottom, tomorrow evening at 7:30 pm.

The program for “But They Are At Peace: Music For The Feast Of All Souls” contains pieces for choir, organ, and soloists by Johann Sebastian Bach and the early German Baroque composer Heinrich Schütz. Featuring the Musica Spira ensemble as well as musicians from the Basilica of the National Shrine of the Immaculate Conception here in Washington and the Peabody Conservatory in Baltimore, the concert begins at 7:30 pm and admission is free; there will be a free-will offering for donations to support the excellent music at St. Stephen’s. Details and directions may be found by following this link. I hope to see many of you there, and if you spot me in the audience please do come up and say hello!

Concert

And now, on to the news roundup:

A Sedona Surrealist Surprise

Much to the surprise of everyone, Bonhams auction house has announced that the star of its upcoming Impressionist and Modern Art Sale in November will be “Ohne titel (Sedona Landschaft)” [“Unititled [Sedona Landscape”], a painting of Sedona, Arizona by the great German Surrealist painter, Max Ernst (1891-1976), which had nearly been forgotten. Ernst painted the intensely-colored work during a visit to Arizona in 1957, and gifted it to a local surgeon; it has remained with the doctor’s family since then, and was last exhibited in 1961. The estimate of $500-$700k is, to my mind, rather low, but then again the work is only about 2 feet long and 18 inches high – perfect for over the sideboard. As I will be traveling to Sedona myself for a few days later next month, I’ll have to do a side-by-side comparison of Ernst’s painting alongside a far less important snap from my phone over on my Instagram account.

Ernst

Caravaggio and the Code of Silence

The myth that art theft is usually carried out by a sort of gentleman cat burglar, like Thomas Crown, Danny Ocean, or John Robie, is blown out of the water in this very interesting piece over on Vice. Art theft detective extraordinaire Charley Hill, who has helped in the recovery of a number of major art heists over the years, recounts the twists and turns involved in seeking one of the items he is still searching for, nearly 50 years after it went missing. “The Adoration of the Shepherds” (1609) by Caravaggio was stolen on Mafia orders from the Oratorian Church of San Lorenzo in Palermo back in 1969; it’s a very unusual work, completely different from Caravaggio’s better-known (and more conventional) version of the same subject, also painted in 1609. To this day, no one knows whether the missing altarpiece still exists, or who has possession of it. Hill believes he has an idea of where it is, and he’s determined to get it back.

Cara

Rocky Road for Rockwells

Regular readers will recall my take last month on the upcoming sale of two paintings by popular 20th century American artist Normal Rockwell, alongside a number of other works of art, which the artist had donated to the Berkshire Museum in Pittsfield, Massachusetts. The plot has thickened somewhat of late. The Rockwell family has now joined a group suing the Berkshire to halt the sale, and requested a temporary restraining order while that issue is being decided; the State AG’s office also seems to be investigating. Meanwhile, the museum’s director has temporarily stepped down for medical reasons, in an unusual bit of either chance or timing. Stay tuned, as this fight is getting more and more interesting.

Rockwell

The Banality of Basquiat and Brown

Two of the most famous American names in Modern Art and Popular Fiction are the late Jean-Michel Basquiat (1960-1988) and writer Dan Brown. Both created work that can be safely categorized as pseudo-intellectual garbage that commands utterly unreasonable prices, whether in terms of auction sales or box office receipts. For your pleasure and mine, then, I’d like you to enjoy a pair of absolutely scathing, wonderfully written take-downs. The first comes from the great British art critic Waldemar Januszczak who, in characterizing a major new exhibition of Basquiat’s work at The Barbican in London, is left shaking his head: “This really is what the art world has become: a shallow, uneducated, disingenuous, over-moneyed, rapacious chewer-up of proper artistic values.” Meanwhile over at The Week, Matthew Walther’s piece on Dan Brown’s latest novel, “Origin”, is an absolute howl, noting that no gifted writer of thrillers “would dare to begin with several chapters of a man taking a guided tour of a museum complete with unevocative descriptions of each work of art and follow it up with such varied set pieces as a conversation in a boat, a conversation on a plane, and a conversation in a driverless Tesla SUV before settling in to two more long conversations in an apartment and an office building.”

Join Me For A Glorious Christmas Concert!

​On Wednesday, November 30th at 7:30 pm, the Choir of St. Stephen Martyr Catholic Church in Washington, DC will hold their first Christmas Concert under music Director and Organist Neil Weston. For more information, read the flyer below or check out the parish web site. I strongly urge you to attend if you can, and even if you cannot, please share this information with anyone whom you think may be interested because, quite frankly, our choir is amazing. Those Christmas CD’s they will be selling after the concert will go very quickly.

As regular readers know, St. Stephen’s is my parish here in the Nation’s Capital, and I have often praised the musical talents of our musicians on social media. In fact, everyone who has joined me for Mass at St. Stephen’s over the years has commented on how superb our music is, and that we are one of the best-kept secrets in Washington. Check out this recording I made of them singing Vivaldi at Mass one Sunday – I think you’ll agree that they sound more like something out of a cathedral rather than a parish church.

Part of this amazing sound has to do with the church itself, a building which will be of interest to those who like Midcentury Modern design. From the outside, St. Stephen’s doesn’t reveal its secrets, except in the magnificent bronze doors depicting scenes from the life of St. Stephen by the great contemporary sculptor Antony Visco of Philadelphia. Upon entering, you are enveloped in walls of French Modernist stained glass from Chartres, and the swooping lines of Mad Men and Connery-era Bond architecture. You can read about the history of the building, including why it was JFK and Jackie’s favorite parish when they were in the White House, by reading the Wikipedia entry.

However even with the great acoustics inside the building, in the end it is the people who make the music. Our musicians at St. Stephen’s are seriously impressive talents, capable of performing a very wide repertoire, from Medieval to Modern, highly popular to relatively unknown works. Director Neil Weston not only has exquisite musical taste, he is also a force to be reckoned with on the organ, as you can hear and see here.

I hope you’ll join me for this evening, and please do share this event with those you know who might be interested in attending. Be sure to come up and say hello, if you spot me at the performance. It is early enough in the season that it will not conflict with anything else on your calendar, and it will help all of us to start the Advent and Christmas season off right!