Art News Roundup: Merry Valentine’s Day Edition

Today is the first day of Winter, and it doesn’t look as though we’re going to have a white Christmas here in the Nation’s Capital, given that it’s currently about 63 degrees. Yet be that as it may, as we approach the 4th Sunday of Advent, I was rather appalled to drop into my local CVS on Tuesday evening and find that Christmas-related items were already being removed. The emptied shelves were in the process of being filled with items for Valentine’s Day.

You can see the photographic evidence of this here, and quite frankly I find this utterly appalling, for many reasons. What message does this send to children, for example? That they cannot even be satisfied with the gifts they will receive on Christmas in a few days’ time, because they have to be salivating over chocolates that they will be eating two months from now?

A follower on Instagram commented that at her local Giant Supermarket, she could not find any peppermint candy canes, and asked the clerk if they would be getting any more before Christmas. “No,” he replied, “Christmas is over.” Well, Christmas is most emphatically NOT over, because it hasn’t even begun yet. So whatever it is that the powers that be at places like CVS, Giant, and the like are celebrating at the moment, it certainly isn’t Christmas.

I happen to be someone who *does* celebrate Christmas, as it happens, since I may be a great sinner, but I’m one who believes in the veracity of the Christian faith. I will definitely, therefore, be celebrating all twelve days of Christmas when they arrive. Therefore, I’m going to use my prerogative as the lord of this virtual manor to share some interesting art stories involving the restoration of works that represent three types of sacred art: sculpture, painting, and musical instruments.

Pisano’s Pistoia Pulpit
One of the most important sculptural works of art of the Early Renaissance is about to go under tarps and scaffolding for the next two years. Giovanni Pisano (lived about 1245-1315) was an architect and sculptor, son of the more famous Nicola Pisano (lived about 1210-1278), who executed major commissions for churches throughout Italy and possibly elsewhere [there is currently an art history theory that the magnificent alabaster tomb of St. Eulalia, in the Cathedral of Barcelona, is by a member of their studio.] Giovanni created the pulpit for the church of Sant’Andrea (St. Andrew) in Pistoia, a city about 20 miles from Florence; the piece is stylistically related to other pulpits by the Pisanos, including those in the Cathedrals of Pisa and Siena, but shows how the Gothic was coming to an end and what we would consider “Modern” sculpture was born. Thanks to a grant from the American charitable foundation Friends of Florence, and the cooperation of government officials along with expertise from the University of Florence, structural analysis of the entire sculpture is currently underway, and as cleaning begins visitors to the church will be able to see live camera images of the restorers at work on monitors.

Pisano

Bononi’s Beautiful Biohazard
Staying in Italy for the moment, Italian scientists have discovered that some works of art may be changing over time for the same reason why milk turns into cheese, or why your kid comes home from school with strep throat: microscopic organisms. The expert team analyzed a painting of the “Coronation of the Virgin” by Carlo Bononi (1569-1632) which hangs in a church in the Italian city of Ferrara, and found that the entire piece, front and back, was covered with microscopic colonies of fungi and other microbial organisms, including Staphylococcus(!), Penicillium, and others. Interestingly enough, different pigments and materials used in creating the painting attracted different populations, since one type of fungus might prefer to live in or snack on certain environments more than others. This research may well have long-term implications for how restorers go about treating and conserving works of art in the future.

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Bodet’s Blessed Bells
An interesting and heart-warming story from Art Daily, on the efforts of one company to restore the sounds that once marked the daily rhythm of life throughout France. Bodet is one of the only companies in Europe that specializes in the repair of church bells, and since 1991 has brought back well over one thousand church bells into working order. While it’s a pity that hardly anyone in France goes to church anymore, at least the call to Mass, the marking of the hours of the Angelus, and the commemoration of baptisms, weddings, and funerals will provide a regular opportunity for these revived bell towers to do their job and remind listeners that they are in a country shaped by two millennia of Christianity.

Bodet

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Art News Roundup: Christmas Carols Edition

For those of you in the DC area, this evening at 7:30 pm is the annual Christmas Concert at St. Stephen Martyr in Foggy Bottom, located on the corner of Pennsylvania Avenue and 25th Street NW. Our musicians are quite exceptional, as anyone who has visited the parish inevitably comments, thanks both to great talent and the great acoustics of the building itself. The program will include seasonal sacred music composed across many centuries, and will conclude with an audience sing-a-long. A reception will follow in the parish rectory. For more details, please follow this link; hope to see many of you there!

In The Bleak Barcelona

I’ll be heading to Barcelona on vacation in two weeks, and I’m sad to say that the Twelve Days of Christmas there are going to be somewhat dim, thanks to the city’s very dim mayor, failed actress Ada Colau. Not only has Ms. Colau placed an ugly, disrespectful “Nativity” scene by a contemporary artist in front of city hall – which as it turns out cost twice as much as what citizens were originally told it would run – but she now has the unique distinction of having united most of the political parties in the highly fractious region, from left to right, in condemnation of the parsimonious lighting and decorations which the city has installed for the season. Christians are accusing Ms. Colau of deliberately downplaying Christmas, thanks to her hatred of Christianity; secularists are decrying the “gloomy” atmosphere of the city, which will have a chilling effect on the spending of holiday tourists, reduce wages for both union and non-union workers, and thereby cut into anticipated tax revenues. [Ben fet, idiota.]

santjaume

Jingle All The Way (To The Bank)

You’ll recall that over the summer, I reported on an art dealer who bought an abandoned storage locker in New Jersey full of what at first glance appeared to be minor works of art, but upon closer inspection contained half a dozen late works by Abstract Expressionist Willem de Kooning (1904-1997). Art Net is now reporting that his $15,000 investment has paid off rather handsomely, to the tune of $2.5 million. Meanwhile, an employee at a local auction house in Derby, England, realized that a ceramic pot he had purchased for around $5 several years ago, and was using as a toothbrush holder in his bathroom, was in fact a Bronze Age artifact dating back about 4,000 years; he recently sold it at auction for about $100. The moral of the story here, kids, is: learn your art history.

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Five Golden Rings < One Copper Ring

While we associate the Roman Governor Pontius Pilate (died circa 36-39 A.D.) with the events of Holy Week rather than Christmas, a remarkable find in Israel is nevertheless worth mentioning as we consider the age into which Jesus was born. Back in 1968, archaeologists excavating at the Herodium, a vast palace-tomb complex originally built by King Herod the Great just south of Bethlehem, recovered a number of items for analysis, including a copper ring whose inscription was too faded to be clearly read with the naked eye. Now however, thanks to modern imaging technology, the ring has revealed its original inscription bearing Pilate’s name. Scholars believe that it was probably a seal ring used by Pilate’s underlings to sign documents on his behalf, much as one might use a rubber stamp bearing a signature in a government office.

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Art News Roundup: Morisot and More Edition

My latest for The Federalist, a review of the major exhibition on French Impressionist Berthe Morisot (1841-1895) that just opened at the Barnes Foundation in Philadelphia, is now available for your perusal. Sincere thanks to my very patient editor, Joy Pullmann, and everyone at The Federalist, for allowing me to share some of my thoughts on the show itself, and more importantly on Morisot’s woefully underrated art. I think you’ll find that it’s a fairly comprehensive exhibition and, even if you don’t particularly like Impressionist art, it’s worth visiting to see Morisot’s significant gifts for composition, and her very interesting development as an artist who, by the end of her career, was breaking away from the conventionally saccharine aspects of the Impressionist movement. In my view, she became a better and better painter the further away she got from the influence of contemporaries such as Manet, Pissarro, and Renoir.

JulMan

Unfortunately, the show’s organizers don’t seem to be willing to allow Morisot to be judged on her own merits, but rather insist from the get-go – the title of the show is “Berthe Morisot: Woman Impressionist” – that her work must be examined through the lens of feminist and gender theory. The exhibition catalogue even opens with reference to a work by the Guerrilla Girls, darlings of the Contemporary Art world who are truly horrible, untalented, and overrated charlatans. Mentioning them in the same breath as Morisot is like comparing Miley Cyrus to Maria Callas.

My best advice is that you go enjoy Morisot’s art on your own terms. It doesn’t need to be wrapped in someone else’s insecurity blanket in order to be appreciated. The show is at the Barnes until mid-January; after that it travels to the Dallas Museum of Art, and will have its last stop at the Orsay in Paris.

And since my Federalist piece is a bit of a lengthy one, just a couple of brief headlines from elsewhere in the art world this week.

A Prado in Barcelona?

Former French Prime Minister Manuel Valls, who is now running for Mayor of Barcelona – yes, you read that correctly – has issued a rather interesting proposal: Spain’s legendary Prado Museum in Madrid should open satellite Prados in other cities, as institutions such as the Louvre and Tate have done, beginning with Barcelona. While an intriguing idea, it must be said that this notion would seem to betray a critical lack of understanding on the part of M. Valls, with respect to both current and long-standing political and cultural tensions between the two cities. In any case, Madrid would be far more likely to authorize a first Prado satellite in Seville, rather than Barcelona, just as it authorized the first high-speed rail link between Madrid and Seville, making Barcelona wait. (Old hatreds never really die in Spain.)

As to this rather unusual political candidacy issue, M. Valls, shown below against a backdrop of Barcelona’s famous sidewalk tiles, was born in Barcelona to a Catalan father and a Swiss mother. However he was raised in Paris, and is a French citizen, so make of that what you will. He is currently running to replace the current Mayor of Barcelona, the dreadful Ada Colau, a failed actress who has proven to be an international embarrassment to the city since her election. Barcelonans will go to the polls iat the end of May, unfortunately right about the time when I’ll be arriving in town for my summer holidays. Perhaps I’ll head to the seaside for a couple of days, first.

SPAIN-CATALONIA-POLITICS-VALLS

A Phoenix in Budapest

Speaking of restoration, after having been closed to the public since it was heavily damaged during World War II, the magnificent main hall of the Museum of Fine Arts in Budapest has finally been restored. It reopened to the public at Noon yesterday, following several years of work. The Romanesque Revival interior is covered in scenes from Hungarian history, but suffered so badly during the war that it was turned into a storage room, since experts at the time believed that it would be impossible to bring it back to its former glory. Fortunately for us, that theory has now been disproved, as you can see in this 2-minute video of the restoration work. Magnificent job.

bUDA