I’m continuing with this weekly roundup of interesting news items about art, architecture, and design, because so far it seems readers are reacting positively. I’ve not settled on a permanent title for this feature, so if anyone cares to make suggestions on a more clever moniker, please share your thoughts in the comments! And now, on to the roundup.
Event: “Beauty and the Restoration of the Sacred”
This looks to be quite an event, if you are going to be in the Chicago area on October 29th – but you need to act now.
The Catholic Art Guild will be holding a day-long conference titled “Beauty and the Restoration of the Sacred” at The Drake Hotel (my favorite watering hole in the Windy City), featuring some of today’s most prominent voices advocating for the creation, preservation, and greater appreciation of beautiful art. The speakers will be writer and philosopher Sir Roger Scruton, architect Duncan Stroik, art/architecture professor Dr. Denis McNamara, and artist Anthony Visco. If you’re a fellow conservative interested in the arts, these are all individuals with whom you are already very, very familiar. The opportunity of getting to hear and meet all of them at the same event is an opportunity not to be missed.
The day will begin with Latin High Mass at the magnificent Baroque Revival church of St. John Cantius, which is without question the most beautiful church in Chicago, and then proceed to The Drake for presentations, dinner, and a concluding panel discussion. Frankly, if I could manage it with my schedule, I’d be there myself. So you’ll have to attend for me, and share your reactions with the rest of us in the Comments section.
PLEASE NOTE: Tickets must be purchased in advance, as they will not be available at the door, and you *must* book by Monday, October 23rd.
New Exhibit: Norwegian Nonsense
By way of complete contrast to the preceding, but demonstrating why such conferences are critical in this day and age, the four finalists for this year’s Lorck Schive Kunstpris – the most “prestigious” art prize in that country – are now on display at the Trondheim Kunstmuseum. Among these, perhaps the silliest is Mattias Härenstam’s “Limitation”, which features a dead birch tree attached to pulleys that drag the dessicated specimen around the gallery. I’m sure this is all very profound if you’re a Norwegian atheist with more bad taste than brains, but not falling into any of those categories myself, my recommendation would be to just ignore this show entirely, and instead go explore Trondheim’s superb Nidaros Cathedral, built between about 1000-1300 A.D.
Follow Up: Dalí, Disinterred
Regular readers will recall from these pages my reports on the long-standing efforts of psychic Pilar Abel to prove that she was the illegitimate offspring of the great Catalan Surrealist Salvador Dalí (1904-1989), as the result of a (ahem) dalliance which she claimed took place between her mother and the artist back in the 1950’s. After many years of wasting everyone’s time and resources in several unsuccessful attempts to establish her paternity claim, it appears that the courts have finally had enough. A judge in Madrid has now dismissed the suit, and ordered Ms. Abel to pay associated costs, including those incurred during the disinterment of the artist’s remains back in July.
New Exhibit: Dalí, Designer
Speaking of Salvador Dalí, one genuine, platonic partnership which the artist actively engaged in during his lifetime was with Italian fashion designer Elsa Schiaparelli (1890-1973). To mark their many years of collaboration, the Dalí Museum in St. Petersburg, Florida has just opened a new exhibition examining the work of the artist and the couturier, running through January 14th. Although today Schiaparelli is far less known than her contemporary and rival, Coco Chanel, for several decades until her retirement in the early ‘50’s, Schiaparelli was a force to be reckoned with in the design world, creating haute couture for women who wanted something more edgy than the more sensible, minimalist designs presented by Chanel. Schiaparelli collaborated with Dalí on a number of designs which blurred the line between art and clothing, including the famous “Lobster Dress”, worn here by the infamous Duchess of Windsor.
New Exhibit: French King, Dutch Art
Another exhibition worth taking in, should you be so fortunate as to find yourself in Paris in the coming months, is “François I and Dutch Art”, which has just opened at The Louvre and runs until January 15th. King François I of France – sometimes jokingly referred to as, “Le Roi Nez” due to his prominent beak – was a major art collector and patron at the dawn of the French Renaissance. He famously managed to coax an elderly Leonardo Da Vinci to leave Italy, and go into semi-retirement at a country house located near the king’s principal residence in the Loire Valley. As this new exhibition points out however, François’ substantial art collection included much more than just the “Mona Lisa”, as he was particularly keen on acquiring or commissioning altarpieces, portraits, and scenes of everyday life from contemporary Dutch artists. Among the most interesting works is this very early genre scene by Bartholomeus Pons (active 1518-1541), depicting workers taking barrels down into a wine cellar. The picture has the crystalline precision one expects of Dutch painting from this period, combined with keen observations of everyday life, and a superb understanding of the complexities involved in rendering believable architectural perspective.