Thought-Pourri: Artists In Action Edition

With apologies for no post on Mardi Gras – the day itself was rather fat with things that needed my attention – we return today with a curated selection of stories from the art world, since you don’t have to fast or abstain today.

Damien Hirst: Creating Canvases

While I derided him and his work for a long time, unlike a number of others who shall not be named from the Saatchi stable of regrettable British art, I find that Damien Hirst is becoming more interesting as he ages. Perhaps best known for putting dead animals in display cases filled with formaldehyde, in more recent years Hirst has been moving in interesting directions, even as the art press seems to like the results less and less. As famous these days for his bombastic personal statements as for his art, Hirst seems to be developing a new outlook on life, whether due to his becoming a father, or accepting middle age, or simply realizing that the legacy of his art matters; many observers have commented that even his Instagram account has become, dare one say it, more introspective.

I began rethinking my views on Hirst’s work back in 2013 with his monumental – and stunningly pro-life – sculpture installation “The Miraculous Journey”, a series of 14 monumental bronzes of a human baby at all stages of development in the womb, created for the grounds of a hospital in Doha. Then there was his fascinating but critically-panned “The Wreck of the Unbelievable” at last year’s Venice Biennale, centered around an entirely made-up story of finds from a shipwreck, which supposedly contained works of art from all over the ancient world. His latest exhibition, “The Veil Paintings”, which opens at the Gagosian Gallery in Los Angeles on March 1st, features large, beautifully colored canvases inspired in part by the Pointillist period of Post-Impressionism, and also by the later Abstract Expressionist movement, albeit in a more cheerful, sunny way than the latter. Hirst being Hirst, he still creates works in the kind of bad taste that made him infamous, but alongside these more pedestrian pieces there seems to be a new seriousness in his work which, quite frankly, would serve his legacy far better.

Hirst

Antonio Banderas: Playing Picasso

Being perhaps the second most famous person to hail from the Spanish city of Málaga, it was probably inevitable that, at some point in his life, actor Antonio Banderas would be asked to play that city’s most famous native son, artist Pablo Picasso. Now, Banderas will be portraying his fellow Andalusian in not one, but two upcoming productions. For American audiences, Banderas will be seen as the older Picasso in season 2 of Director Ron Howard’s “Genius” on the National Geographic Channel, which begins airing on April 24th; you can check out the trailer here. International audiences will be awaiting the long-delayed “Picasso y Guernica” by Spain’s greatest living film director, Carlos Saura, which focuses on the creation of the most famous painting of the 20th century, and the rocky relationship between the artist and his then-muse, Dora Maar, who photographed Picasso’s work on the monumental canvas as it developed. No confirmation yet on who will be playing Maar, or Marie-Thérèse Walter, who was Picasso’s mistress at the time he began work on Guernica (and whom he left for Maar), but current rumors are that Marion Cotillard will be playing the former and Gwyneth Paltrow will be playing the latter. (Readers may not be aware that Paltrow is not only fluent in proper Castilian Spanish, but owns a home there; in fact, a colleague of mine ran into her on a plane to Barcelona not too long ago.)

Banderas

Leonardo Da Vinci: Discovering Drawings

With the buildup to the 500th anniversary of Leonardo’s death next year, you’ll be seeing all kinds of exhibitions related to the Florentine artist opening around the globe; the latest to be announced is “Leonardo Da Vinci: A Life in Drawing”, featuring works from the British Royal Collection. What is particularly interesting, from a technology perspective, is that in preparation for the show, a number of these drawings have been examined using methods such as infared light and high-energy x-rays to reveal previously unseen sketches from the master. The studies of hands shown below, for example, were photographed under ultraviolet light, to reveal drawings that can no longer be seen with the naked eye, because of the fading of the materials with which they were created. Much as I don’t personally care for Leonardo’s work, his hands really are a thing of beauty, and perhaps no artist other than Raphael ever paid such close attention to the careful study of the possibilities afforded for gestures in the human hand.

Manos

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Thought Pourri: What’s In Edition

Rather pressed for time today, so let’s just head to some of the headlines that I’ve picked out for your perusal:

Picasso in Provence

The really BIG news in the art world this week is that the south of France is about to score what will no doubt become a major destination for art aficionados and tourists alike. Catherine Hutin-Blay, the stepdaughter of Pablo Picasso (1881-1973) and his 2nd wife, Jacqueline Roque (1927-1986), has purchased a former Dominican convent in the town of Aix-en-Provence, which will become the home of a new museum dedicated to the artist and his muse, whom he painted over 400 times during their marriage. Mme. Hutin-Blay owns the largest number of Picassos still in private hands; the new museum will house well over 1,000 paintings, as well as sculptures, drawings, and ceramics by her famous stepfather, who is buried alongside her mother at the nearby Château of Vauvenargues. To give you some sense of the size of this institution, the new museum will have more Picasso paintings in its collection than the four extant Picasso Museums in Barcelona, Paris, Antibes, and Málaga.

As to the building itself, the Dominicans first arrived in Aix in 1272. The first convent was completed in the 14th century; this burned down and was rebuilt, but a century later it had to be demolished. The convent and the attached church of La Madeleine – dedicated to St. Mary Magdalene, patroness of the Dominican Order, were completed in the 17th century. The convent served the Order until the 18th century, when it was taken over by the provincial government. After that it became a courthouse, a barracks, a training college for teachers, a conservatory of music, and finally an all-girls high school, until it closed in June 2015.

Aix

Saint-Gaudens in New Hampshire

Augustus Saint-Gaudens (1848-1907) was one of the greatest sculptors in American art history; while his rather grand name may not be familiar to you, a number of his works probably are. Among his most famous sculptures are the “Standing Lincoln” located in Lincoln Park, Chicago, the “Shaw Memorial” on Boston Common, and possibly my favorite, the “Adams Memorial” in Rock Creek Park Cemetery here in DC (a copy of which, shown below, is located in the American Art Museum.) The Currier Museum of Art, in Manchester, New Hampshire, will be hosting a major exhibition of Saint-Gaudens’ work – not an easy task, given the size of much of it – including his iconic “Diana”, a gigantic gilded statue of the goddess of the hunt which once stood atop the 2nd (and far superior) version of Madison Square Garden in New York, designed by Saint-Gaudens’ frequent collaborator, architect Stanford White. “The Sculpture of Augustus Saint-Gaudens” opens at the Currier on Saturday, February 10th, and runs through May 20th.

Adams

Voynich in Hebrew (?)

One of the most enigmatic objects to survive from the Middle Ages is the “Voynich Manuscript”, an illuminated manuscript currently in the collection of Yale University, which has fascinated collectors, cryptologists, and scientists for centuries. So far, no one has been able to read it or make any sense of it, although theories (some of them rather crackpot) abound. It is first documented in the middle of the 16th century, even though the book itself has been carbon-dated to show that it was probably created sometime in the early 1400’s. Now, scientists at the University of Alberta in Canada, using analytic software tools, have announced that they may have cracked this seemingly indecipherable document at last, concluding that it is written in a somewhat badly spelled and slightly ungrammatical form of Hebrew. More work needs to be done, but perhaps this ancient book will finally be able to share its secrets.

Voynich

 

The Courtier In Chicago: “Cloudy Witnesses”

I’m very pleased to announce that I’ve been invited to speak to the Catholic Art Guild in Chicago on Saturday, May 5th, at 11:00 am. I’ll be speaking on a problem that has been plaguing the art world for some time now: cultural illiteracy in sacred art. The talk will take place at St. John Cantius, the grand, historic Baroque Revival church located on the city’s West Side. [N.B. On a side note, I’m looking forward to poking around this rather grand building, and snapping a mountain of pics for my IG account.]

I’ve tentatively titled the presentation “Cloudy Witnesses”. This is in reference to Hebrews 12:1 where, after recounting the lives of those who had gone before him in faith, the author speaks of the patriarchs, prophets, and martyrs as a “great cloud of witnesses” who inspire the Church. Yet in our present age, the shining examples of these people of faith, so often the subjects of great works of art, have in many cases become clouded over.

As Western society becomes more aggressively secularized, understanding of the meaning, purpose, and significance of Christian art is declining. Formerly well-understood iconography and symbolism is becoming obscure; meaning is being falsely re-interpreted and distilled through secular philosophies, which usually have little or nothing whatsoever to do with the beliefs of those involved in the creation of these works. Such factors, combined with the decline of standards in art education and art media over the past several decades due to an almost exclusive focus on secular, Modern, and Contemporary Art, have created a climate of widespread institutional and popular ignorance when it comes to sacred art. As part of my presentation, I will attempt to offer some practical proposals for addressing this situation, which I hope will both serve as a clarion call to my fellow Catholics, but which will also prove of interest to non-Catholics who admire and appreciate beautiful works of art.

I’ll be posting the link to the event once that goes live on the Guild site. For those of you unable to attend in person, please note that the Guild will be filming the event in order to make it available on YouTube at a future date. Past speakers before the Guild have included philosopher Sir Roger Scruton, architect Duncan Stroik, sculptor Anthony Visco, and many others, whose presentations you can find on the Guild site. I’m deeply honored that they would include me in such illustrious company.

Esglesia