I don’t normally tell people what art they ought to buy or not buy, since the “what” of art collecting is really up to personal taste. That being said, it’s just been announced that the greatest painting by the American Modern-Realist painter Edward Hopper (1882-1967) left in private hands is coming up for sale at Christie’s. So if you happen to have $70 million sitting around, you should absolutely attempt to buy it.
“Chop Suey” (1929) is classic, iconic Hopper, full of strong colors, unusual angles, and an air of mystery. You sense that we are in a moment somewhere between inaction and action, where with a single word, everything might change…or not. In fact, you’ve probably seen this image so many times, illustrating the cover of books from the Jazz Age or in retrospectives of Hopper’s work, that you probably didn’t even realize that this piece is privately owned.
This is a deceptively simple painting, until you really start to look at it. There are obvious questions such as, what are the two women talking about, or what are the young couple behind them talking about? But there are also less obvious points of enquiry, which always make trying to interpret a Hopper painting a great deal of fun.
Why, for example, does it appear as if there two light sources in the window above the man’s head, crossing over each other? Why is the fire escape ladder hanging down in front of the window at our right? Why do the couple have the little green-shaded lamp on their table, but the two women have theirs on the windowsill?
The $70 million estimate for this picture strikes me as a bit conservative: I wouldn’t be surprised, particularly in this market and given the Chinese-American thematic material, to see a Chinese collector pay $100 million for this work. The Chinese are primarily interested in brand names, when it comes to consumption, and Hopper is definitely in the upper pantheon of American artists when it comes to Modern Art.
Hopper’s current auction record is $40.5 million, for an interesting but unpopulated urban landscape painting, “East Wind over Weehawken” (1934). It depicts the slightly grim, rocky neighborhood that one drives through on the way to the Lincoln Tunnel into Manhattan from New Jersey. While Hopper’s landscapes and seascapes are nothing to sneeze it, they are more numerous than his figural paintings, which makes me think that “Chop Suey” will do better than its estimate.
And on to some other art news we go…
Beautiful Bath Tiles
The English city of Bath has welcomed visitors to its thermal springs since ancient times, when the Romans started visiting to take the waters. What visitors may not realize however, is that the current Bath Abbey, built in the late 15th-early 16th centuries, stands atop a far larger, demolished Cathedral that was built by the Normans beginning in the 11th century. Now, workers at the Abbey have uncovered some of the original Plantagenet floor tiles from that earlier building, and they are glorious things indeed.
Blunders in Brussels
Pieter Bruegel the Elder (c.1525-1569), one of the most important and highly influential Flemish artists of the 16th century, certainly deserves a stand-alone museum, and the good people of Brussels were about to give him one. It was to be in a Renaissance house located on the same street where Bruegel lived and worked after his marriage in the parish church nearby. Unfortunately, the Bruegel House museum, which was to open next fall, is now on indefinite hold. This is not due to a lack of funds, but rather due to an overabundance of what the Belgians are particularly good at: inventing convoluted bureaucracies with draconian and utterly stupid rules.
Under current guidelines, government agencies must request approval from the federal government before spending more than $65,000, and in this case the federal government turned down the request. Work on the project has been halted indefinitely, even though the agencies involved have more than enough in reserve to pay for the project. A spokesman for the Minister of Budget, Sophie Wilmès, told the press that funding the museum was “not a desirable solution because it contradicted the budgetary objectives for federal agencies.” One is put in mind of Jim Hacker’s “British sausage” speech.
Da Vinci Doodles
Thanks to the latest bit of gee-whiz technology, you can now get closer to looking over the shoulder of a great Old Master painter than ever before. The Victoria and Albert Museum is digitizing its collection of notebooks by Leonardo da Vinci, and has put the first two volumes online for you to virtually thumb through. The remaining two volumes will be released online in 2019 as part of the commemorations surrounding the 500th anniversary of Leonardo’s death. Not too much in the way of high art in this first release, but plenty of engineering sketches and, naturally, the master’s famous right-to-left handwriting.