Having had a terrific vacation in Spain, full of art, architecture, and yes, IG photos of what I ate, it’s time to get back to writing. There will likely be a few posts to come out of this trip, but as I’m still slightly jetlagged, it seemed best to start with an art news roundup. As you get older it becomes more difficult to bounce bag from that time zone shift, or so I find.
Anyway, on to some news.
Ilya Repin (1844-1930) is possibly my favorite Russian artist; he specialized in historical pictures, and without question his most famous work depicts the aftermath of a moment of great violence, in which the infamous Tsar Ivan the Terrible is depicted with a powerful expression of utter horror and remorse after having killed his son Ivan in a fit of rage. In a way it reminds me of Goya’s famous “Saturn Devouring His Son” (c.1820-1823), now in The Prado, but I don’t know whether Repin was familiar with it. In a different moment of rage, a drunken visitor to the Tretyakov Gallery in Moscow recently attacked the 1885 picture with a metal pole, causing serious damage to both the canvas and the frame, but mercifully not harming the figures themselves. The assailant’s motives remain somewhat murky, although he told police that he had been drinking in the museum bar prior to his vandalism. After restoration, the painting will be put back on display in the museum again – but from now on, under bulletproof glass.
Catalan Comings (And Goings)
In Catalonia, the good news is that a stolen copy of Columbus’ letter to King Ferdinand and Queen Isabel announcing the discovery of America has been located by U.S. officials and is returning home. One of 16 copies printed by the explorer, the letter had been in the collection of the National Library of Catalonia for about a century but was only missed in 2012 when, as part of their investigation, U.S. investigators visited the Barcelona-based library and determined that the copy in its collection was a facsimile of the original, substituted by thieves at some unknown point in time. The bad news, at least as far as Catalan museums are concerned, is that the main painting from the high altar at the Royal Monastery of Sijena, which the museum wanted for its collection, has been sold by a Madrid gallery to the Meadows Museum in Dallas, which has (arguably) the most important collection of Spanish works of art in the U.S. The painting, which depicts the Adoration of the Magi, was created sometime between 1510 and 1521 by an artist whose identity is currently a matter for scholarly debate, but it is believed that the youngest of the three kings in the altarpiece may be a youthful portrait of the Holy Roman Emperor Charles V, who became King of Spain in 1516.
The Roman Emperor Constantine (c. 272 AD-337 AD) commissioned a number of colossal statues of himself, remnants of which are found in a number of museums in Rome and elsewhere. One of the lesser-known examples was a giant bronze, fragments of which are located in the Capitoline Museums in Rome. Following some interesting detective work, The Louvre has recently discovered that a colossal Roman bronze digit, originally believed to be a toe, was in fact one of the bronze’s index fingers. When a copy of the piece was taken to Rome for comparison, experts were surprised and pleased to discover that it was an exact fit to the hand currently in the Capitoline’s collection.