I’m still looking for ideas on what to call this weekly feature, partly because in the future, I’m considering turning it into a newsletter, and partly because I’m tired of the title. Titling it “Arts Roundup” or something like that seems rather dull. So please, if you have any ideas on what to call it – other than “Thought-Pourri”, that is – do share your ideas with me by using this form.
Tate Britain In Disarray
In the world of stupid ideas, this is one whose time – one thought – had come and gone, along with (the unlamented) Sir Nicholas Serota, but which now appears to be returning for another round. Five years ago, Tate Britain undid the art historical damage of Serota and his ilk by putting its collection back into roughly chronological order; now, that work is to be undone by its new director who, no surprise, hails from a Contemporary Art background. To re-hang a permanent collection in a way which makes sense to a temporary administrator and his flunkeys, but not to the vast majority of visitors, is not only short-sighted, but presumptuous and grossly egotistical. As Bendor Grosvenor has observed, “this seems to me reflective of an institution which doesn’t really know what it’s about. Shackled to the mother ship of Tate Modern, Tate Britain seems to see itself not as a museum, but a giant exhibition space, one that’s almost embarrassed by what it has to show. Consequently, the exhibition space – and what goes in it – must be changed every five years or so. A museum which was comfortable in itself, and happy to celebrate its collection, wouldn’t do this.”
Georgia In Hawaii
The great American Modern artist Georgia O’Keeffe (1887-1986) was a painter of sensuous floral paintings, as well as stark New York or Southwestern-inspired landscapes, but what few may be aware of is that she spent time working in Hawaii on commission from N.W. Ayer & Son, the advertising agency for Dole Foods Corporation – yes, the canned pineapple people. From early February to early April of 1939, O’Keefe sketched and painted the flora and landscapes of numerous sites in the Hawaiian Islands, including the Big Island, Oahu, and Maui; she ended up creating 20 paintings reflecting her time there, some of which were used by Dole in their ad campaigns, as shown below. Later this Spring, the library of the New York Botanical Garden will play host to an exhibition of many of these Hawaiian works, in an appropriately tropical setting, bringing them together for the first time in nearly 80 years in what will no doubt be a very interesting and popular show. “Georgia O’Keefe: Visions of Hawaii” opens on May 19th and runs through October 28th.
Vegas In Neon
Few American cities are more closely associated with the use of neon lights than Las Vegas, Nevada, and so it will not surprise you to learn that Sin City has a major museum dedicated to this product of industrial design, creative advertising, and electrical engineering. The Neon Museum opened in 2012, and has become a popular tourist destination for those who want to see the remnants of famous casinos long since lost to the wrecking ball, such as the famous Sahara Hotel. The institution not only preserves and restores old neon signs at its facility, but is responsible for the care and maintenance of a number of historic neon signs in its collection which have been installed as public sculpture in and around Fremont Street. The museum has proven so popular that it has just announced a major expansion of its facilities, as well as the addition of new exhibitions and events, to draw in more visitors interested in these fun, supremely kitschy items of American design.