Thought-Pourri: Everything Old Is New Again Edition

Gentle Reader, I hope that you find these Thursday news roundups as enjoyable to read as I do in putting them together. The one snag that I continue to have is that I find the term “Thought-Pourri” a bit too clever by half. If at some point this feature were to be converted into an email newsletter, which is something I’m thinking about, I’d like to find a snappier title. So the best Christmas gift you could send me this year would be some a suggestion for a better title that both fits with the purpose of this summary of news from the art, architecture, and design worlds, and that has more of a snap to it – just use the “Contact” form located on the site. Thank you in advance!

And so, onward to some news…

New/Old Argument: Aragonese Art

As Catalonia goes to the polls today – again – on regional elections ordered by Madrid, an interesting art story has slipped under the radar amidst all of the coverage over the question of Catalan independence. The medieval Monastery of Santa Maria de Sigena is located in Aragón, the region just west of Catalonia. In the early 1980’s the nuns moved out of their decaying premises, which had been several damaged by leftists during the Spanish Civil War, and found a new home in Barcelona; as part of their move they sold some of the art from their old monastery to the Catalan government. The works – which include several spectacularly decorated Gothic sarcophagi like the one shown below – were put on display for a number of years in a museum in the Catalan city of Lleida, but a few years ago, the Aragonese government sued to try to get them back; in 2015, a trial judge ruled in their favor. The Catalan government appealed, and although the appellate case is still pending, in the wake of the Catalan independence vote and the imposition of direct rule from Madrid, the national police force was sent in and removed the disputed works from the museum.

Sigena

New/Old Building: Noxious Neo-Brutalism

Is Brutalism, a horrible abomination of architecture which has been (rightly) derided from its inception by people with good taste, making a comeback? Award-winning British starchitect Sir David Adjaye of the awful National Museum of African American History and Culture here on the National Mall, (or as I call it, the Sandcrawler from “Star Wars”) has just revealed plans for his first highrise tower in Manhattan, which will be located near the Brookyln Bridge. The 66-story structure will be clad in cast concrete, a material which no doubt will age beautifully in the filthy, polluted atmosphere of New York City, just like all of the other crumbling, horrible Brutalist-era buildings which it evokes. One of the highlights, if you can call it that, will be an interior spa and pool area which described as being inspired by the Baths of Caracalla in Rome which, I suppose if you were color-blind and morbidly depressed you could very loosely claim to be the case, but quite frankly it looks like something out of “Blade Runner”, and not in a good way. (No word on whether Harrison Ford is personally to blame for either of these awful buildings.)

Brooklyn

New/Old Fashion: Romanov Riches

As Russia marks the 100th anniversary of the bloodbath known as the Bolshevik Revolution, the Hermitage Museum in St. Petersburg has just opened a new, permanent exhibition of 130 historic costumes, most of which belonged to members of the ruling Romanov dynasty. Located at the Hermitage’s vast storage and conservation complex in the north end of the city, the new displays features suits, gowns, and other clothing from Peter the Great, Catherine the Great, and Nicholas II, among many others. Here for example is a ceremonial cloak and waistcoat worn by one of my favorite Russian oligarchs, Emperor Alexander I (1777-1825), who helped to defeat Napoleon.

Alexander

New/Old Resource: Fine Furniture

If you’ve ever been confused by the multitude of design terms used by museum curators, furniture retailers, and antique dealers when shopping or visiting museums and historic homes, you’re not alone. Even those of us who have at least some knowledge of the history of Western furniture can get a bit perplexed when, for example, a catalogue refers to a chair as “transitional” (what’s it transitioning into, a fridge?) While it won’t solve all such problems, a interesting new site (currently in beta) called British and Irish Furniture Makers Online (“BIFMO”) from the Furniture History Society and the University of London hopes to become a major online resource for those who want to learn their Thomas Chippendale from their George Hepplewhite.

cabinet

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