Turns out Cardinal Mahoney isn’t the only one with a shaky grasp on the concept of Sacred Art.
In a move which portends great, great ugliness and heterodoxy, the historic Lutheran Church of St. Anne in Dresden, known as the Annenkirche, has commissioned the Dutch-based South African artist Marlene Dumas to replace a ruined early 20th century fresco of the conversion of St. Paul on the road to Damascus, with an artwork of her creation and thematic choosing. The only restriction given her was that the resulting work not be “depressing”. Ms. Dumas promises to deliver something exploring different stories of creation in the form of trees.
With respect to the underlying premise of the project, I invite the reader to Google some of Ms. Dumas’ paintings, most of which are largely unoriginal, a mash-up of the work of Francis Bacon and Egon Schiele with some collage thrown in. More to the point of the commission, her works are usually portraits of people who look like corpses. Therefore you’ll no doubt wonder, as did I, why the church picked her, of all people to create a giant work of art that is not “depressing”.
Of course the real problem here is not so much the nature of the art, atrocious and expensive though it will be. Rather, the issue is what exactly this church community is trying to do with this art: How is this piece going to spread the Gospel? Is Christ’s message really aided by diluting it into a one-size-fits-all, Jesus-is-a-great-guru type of theology, where different religions and creation myths are blended together to create a bland but easily palatable whole?
Because whatever that end result is, it is not Christianity. Rather than give carte blanche to an artist who obviously doesn’t know Adam from Edam, the church fathers at the Annenkirche should have recognised that they have a duty to spread the Gospel, not just decorate their walls. By commissioning art which only muddies the waters, they are failing in their duty to the Christians of Dresden, whom they are supposed to be serving.