Now may be a very good time for you to schedule a trip to Madrid. Today the Prado has announced a major exhibition featuring three of the most important paintings by the 15th century Flemish painter Rogier van der Weyden, arguably the greatest of all Netherlandish artists of the Middle Ages. The occasion is the display of his recently restored “Crucifixion” altarpiece from the Escorial, which will be exhibited alongside the Prado’s famous “Deposition” and the “Miraflores Altarpiece” from Berlin for the first time, along with other, accompanying works to provide context.
Of the three, I have only seen van der Weyden’s “Deposition” in person, and it is not what you might think. This is not some small, delicate little jewel, like a page from an illuminated manuscript. The thing is HUGE; the figures look like painted works of sculpture, rather than flat images on a flat surface. It is a miracle of Medieval art.
This and indeed many other aspects of these three magnificent paintings are better perceived in person rather than in photographs. However in this instance, I think the images of all three of these works should give you pause to consider visiting the Spanish capital this Spring. Or at least, gentle reader, you ought to consider getting a copy of the exhibition catalogue.