One of the most intriguing technological developments of recent years for the commercial market has been the drone, or more specifically, the micro Unmanned Aerial Vehicle (UAV). These tiny, light, HD camera-wielding flying machines are used to make all sorts of fun videos such as this one. Drones have proven to be a huge hit with backyard air traffic controlers, pranksters, and aspiring action movie directors around the world.
Yet with all their modern, gee-whiz capabilities, these machines also have the power to make us pause and wonder at the achievements of those who came before us, particularly when it comes to the centuries of magnificent art and architecture sponsored by the Church. A recent post on ChurchPop.com brought together eleven astounding videos of Christian monuments around the world, including Mont Sant Michel in Brittany, Christ the Redeemer in Rio de Janeiro, and the Sagrada Familia in Barcelona, among others. Each was filmed, in whole or in part, using a drone, thereby bringing the viewer never before seen footage of these places. All eleven of these Catholic structures showcase the continuity and yet at the same time diversity of design in the Church across nearly a millennia in this sampling.
Now, before anyone jumps down my throat about either Utrecht or Canterbury Cathedrals, which are featured in the post linked to above, I would point out a few facts. Both cathedrals were designed and built by Catholics, for use by Catholics, long before they were later… appropriated by others. They were not torn down as so many others were. Thus, whatever may have befallen them on the inside, these two churches remain largely Catholic works of art on the outside.
Regardless, it must be said that the possibilities raised by drone technology are potentially endless, when it comes to the renovation and preservation of sacred art and architecture. Imagine, a parish needing an assessment of a leaky belfry could fly up a drone to shoot some video for potential contractors. A cathedral seeking to determine what shape the ceiling frescoes are in could film closeups of the surface for art experts located hundreds of miles away, without ever erecting a scaffold. Art researchers could take a look at carved ceiling bosses located high inside an ancient monastery chapel halfway around the world from the comfort of their own office.
Getting back to the point, such opportunities are wonderful moments to ask others to take another look at the Church they think they know. It is hard to watch the drone video of the Cathedral of Santiago de Compostela for example, and not want to visit its many ornate stone spires. Who knows what thoughts or experiences may cross such a pilgrim’s path on the Camino?
Technology is certainly a means for us to imagine the future. Clearly it can also be a way for us to better understand the past. And in the sacred context, by revealing the hidden splendor of these places it can bring before our eyes imagery which corresponds to the vision of the Psalmist: “I rejoiced when I heard them say, let us go up unto the House of the Lord.”