St. Luke and the Smashed Statue

Today the Church celebrates the Feast of St. Luke the Evangelist, the Gospel writer and good friend of people like St. Paul and the Blessed Virgin Mary, who among other things is honored as the patron saint of artists. It is also a good opportunity for us to reflect on the importance of art to Catholics, particularly in light of what happened over the weekend with the scandalous destruction of a statue of the Virgin Mary by members of the Occupy Wall Street movement. As has been reported elsewhere, though of course not in the so-called mainstream media, the group broke into a church in Rome, smashed the doors of the sacristy, and desecrated a crucifix. They then carried a statue of Our Lady out into the street, smashed it into the pavement, and then jumped on it to smash it even further.

Those who have visited my ongoing web project Catholic Barcelona where I am cataloguing the interesting churches, chapels, and other Catholic sites in Barcelona – a project currently on hold as I await my next trip to that city in December – know that such actions infuriate me both as a Catholic and as a lover of art. People of the same political persuasions as today’s current batch of “protesters” escalated their movements into a virulent form of anti-clericalism in Spain in the 1930’s, and did tremendous damage to the Christian fabric of Barcelona in particular. One need only see what was done to sites such as the formerly magnificent Jesuit church on the Ramblas to begin to imagine what artistic losses we have suffered as a result of such actions.

Interestingly enough, in the late 19th century a number of Catalan cultural figures were seeking to bring together like minds to try to integrate their artistic careers with the Christian faith and combat such secularism, and decided to seek the patronage of St. Luke. In 1893 they formed The Artistic Circle of St. Luke, and sponsored lectures, exhibitions, courses, and the creation of a study archive for their members and the benefit of the public. The group thrived during the same period that Barcelona was undergoing a phenomenal artistic and cultural renaissance, with the work of architects like Gaudí, painters like Miró, writers like the Folch i Torres brothers, and political cartoonists like my own great-grandfather – all of whom were members of the Circle. Because of their Catholic association, the Circle of St. Luke was forcibly closed for several years by the leftists beginning in 1936, as part of their efforts to stamp out the Christian faith in Barcelona.  Although they later reopened, they have gradually lost some of their focus, and have become today something less than what they once were, i.e. cultural figures who sought the patronage of the patron saint of artists and the integration of their Catholic faith with their artistic output.

Those of my readers who are not Catholics may not have a full understanding as to why the iconoclasm displayed by the individuals shown in the Occupy Rome vandalism is so appalling to those of us of the Catholic faith. From an artistic point of view, the particular statue that was destroyed in the attack was not of any great intrinsic significance. The image is a fairly standard, mass-produced one, probably made of molded and painted plaster, that one could purchase from a religious supply house. It is not as though the protesters broke into one of the great Roman churches and smashed a sculptural masterpiece by Michelangelo or Bernini.

Nor, must it be said, do Catholics need art in order to be able to worship God, which is a common misconception. The Church recognizes that, for many people, an image is a tool can help focus one’s prayer life. Yet the images themselves are neither worshiped nor necessary, as such images are in pagan or animist religions. After all, the same religion that built the lavishly decorated Jesuit churches in Rome – full of statues, pictures, and so on – also built the stark, minimalist churches of the Cistercians and Trappists, where there is little or no decoration at all.

The Catholic view of such artistic objects is that they are the equivalent of family portraits and photographs, which most of us display proudly in our homes to remind us of our departed loved ones, whom we hope to meet again in the next life. We do not worship the photo of grandpa on the bookshelf in the family room, nor the portrait of a great-great-aunt that hangs in the upstairs hallway. These things are simply reminders of our connections to these people, and they work as visual stimuli to cause us to remember them and to think about them, and probably more frequently than we otherwise would, if these images were not on display before us.

Similarly, while I was not fortunate enough to have met someone like St. Dominic, the great 12th century Spanish religious founder and preacher, I can have a statue or picture of him on my desk as a reminder.  The image of him, as imagined by an artist, helps me to recall his life, his preaching, and the work he did for Christ. And with that reminder, hopefully I will also be reminded that I should try to follow his example of obedience to God’s Will, and to speak out on behalf of the Faith when given the opportunity to do so.  Should the statue be broken or the picture destroyed I will regret its loss, of course, but it is not by any means necessary that I should have one.

Whether through acts of blasphemy, scandal, or the like, the destruction of an artistic image of Jesus, or one of the saints like the Virgin Mary, cannot destroy God or His Church. Catholics do not need images to worship God, or honor the men and women who have served Him, any more than, in a secular context, we Americans need things like gravestones, memorial plaques, the Lincoln Memorial, or Mount Rushmore. In the end, the destruction of this particular image by leftists in Rome only hurts those who actually destroyed it, for unless they repent of their malice they will someday have to answer for what they have done.

For those of us who are Catholics, perhaps we should ask St. Luke, as the patron of artists, to encourage this parish community in Rome to come together after this act of destruction, and see whether someone can get them a replacement statue for the parish church, so that the parishioners will once again be able to reflect on the life of the Blessed Virgin – someone whose life story so captivated the interest of St. Luke himself – and pray for the conversion of those who sought to harm God by such shocking, but ultimately futile efforts.


Detail of “St. Luke” by El Greco (c. 1605)
Cathedral of Santa Maria de Toledo, Spain

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5 thoughts on “St. Luke and the Smashed Statue

  1. I am in full sympathy with Occupy Wall Street — but not with vandalism or the destruction of art. Art is my religion, and I feel this affront as deeply as you.

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  2. This is very well-put. I kind of wish I read it before I wrote my blog post for today; it would have been good, I think, to also have this concept rolling around in my noggin as I wrote it. (Although, I was talking about civic memorials and monuments, not religious or religiously-infused art. Furthermore, I was not speaking on aesthetic value.)

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  3. The #OWS is only about taking what they haven’t earned. Whether it is redistribution of wealth by governmental force of the gun, or this vandalism, the morality is the same. To hate our neighbor or covet one’s neighbors property enough to take what is theirs and make it your own to do with as you please. When will it stop, at book burning, calling out our neighbors to be ostracized for earning more, or like Stalin our nation should just execute the merchants and farmers. Once you start down the road of hate, can you expect everyone to see as you do, at which point is far enough and no further.

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  4. Pingback: The Bother from the Other: Oct 20, 2011 | One Fine Jay

  5. OWS is a pathetic attempt to “get something for nothing.” The actions of those who valdalized the church in Barcelona, destroyed the statue of the
    Blessed Mother are akin to the “mob mentality” that crucified Christ.
    Imagine, this mindless mob is focussed on the destruction of inanimate objects or, in their minds, what the inanimate objects represent One won-
    ders why: 1. These objects/statues are incapable of responding to their out-
    burts; 2. These objects represent what they cannot possess or destroy – a
    belief system that is not focussed on destruction, but on forgiveness and salvation and TRUST.
    You’re right, these statues can be replaced . After all, they are only a means
    to an end. They serve only to direct our thoughts toward God. So where is the victory? What did the OWS people win? They won nothing. They only proved how much they disrespect themselves. Michelle – NYC, USA

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