Thursday Night in DC: A Classical Christmas Concert

During the Advent and Christmas season, there are usually a surfeit of Christmas concerts for those who love music.  Unfortunately, many of them take place on weekends.  This makes it impossible to attend more than one or two, due to the overlapping of these events.

Fortunately for those of you in the DC area, tomorrow night – Thursday – you have the chance to attend a Christmas concert that does not take away from your already-booked weekend schedule before Christmas arrives next week, and to do so with a truly international talent.

Soprano Alina Kozinska will be celebrating the season in song, poetry, carols, and Sacred Scripture, along with Pianist Patricia McKewen Amato, Actress Renata Plecha, and a cast of soloists/musicians. The program includes works by Bach, Vivaldi, Schubert, and others.

The concert will take place at 7pm at St. Stephen Martyr Church in Foggy Bottom.  St. Stephen’s is located on the corner of Pennsylvania Avenue and 25th Street NW, a short walk from the Foggy Bottom Metro station. There is usually plenty of street parking around the neighborhood, or in one of the garages nearby.

Ms. Kozinska teaches voice at The Peabody, and sang for Pope St. John Paul II at the Papal Mass in Camden Yards when he visited Baltimore (I was there and remember her well.) Therefore this promises to be quite the evening. And for those of you who have never visited my parish of St. Stephen’s, which seems so nondescript from the outside, don’t take my word for it: ask someone who has attended Mass or a concert there. They will tell you that the acoustics of the church are absolutely superb for performances such as this.

Hope to see many of my DC readers there, and if you spot me, do come over and say hello after the concert!

St. Stephen's at Christmastide

This Saturday Night in DC: Advent Stations

If you were at the Catholic Information Center last night for the Christmas Poetry Party, then you know that I took a bit of a risk of never being invited back to speak there in pointing out the Dominican friars in attendance, and asking the audience to talk to them later about a very special event which they are organizing in DC this Saturday. What can I say? I am a well-known groupie of the Dogs of the Lord (Domini Canes).

If you were not there, but you do happen to be in the DC area this weekend, then I hope you’ll join me at historic St. Dominic’s Church, just a couple of blocks from The National Mall, this Saturday December 13th at 7pm for the service of Advent Stations. It is being organized by the Dominican student brothers from the Dominican House of Studies here in Washington. It promises to be a highly memorable event, and hopefully one that will become an annual must-attend, like the very popular Vigil of All Saints and Tenebrae services held at Dominican House every year.

There will be 6 stations around the church, each with a different preacher preaching at the station itself. The six topics will be:

- The Fall of Adam and Eve (Gen 3)
– Noah and the Great Flood (Gen 6)
– Abraham and the Sacrifice of His Son (Gen 22)
– Moses and the Burning Bush (Exod 3)
– Ezekiel and the Vision of the Temple (Ezek 43)
– David’s Psalm of Kingship (Ps. 110)

The 7th station will have no preaching, but instead will feature the chanted words of the Prologue from St. John’s Gospel (Jn 1:1-14). There will also be music sung between each station, including hymns, chants, and polyphony. I also have it on good authority that there will be 600 candles employed in the darkened church during the service which, in such a magnificent building accompanied by beautiful music, should be quite atmospheric. And there will even be a relic of Bethlehem itself: a true piece of the crib in which the Infant Jesus was placed when He was born.

For further information, please be sure to check out the Facebook invite, or these articles from Kathryn Lopez in National Review Online and also over at Chant Cafe. Catholic or not, you are most welcome! Hope to see you there!

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St. Dominic’s in Washington, DC

 

Review: An Engrossing “Battle Against Hitler”

Today is my turn on the blog tour for “My Battle Against Hitler”, a compilation of the writings of the great German philosopher and professor Dietrich von Hildebrand, translated, edited, and annotated by John Henry Crosby together with his father, John F. Crosby, himself a student of Hildebrand.  Those among my readers who are interested in philosophy, particularly Catholic philosophy, history, and political theory will thoroughly enjoy this volume.  Yet I also want to encourage those of you who do not typically read such subjects to take a look at this work, which kept me fascinated from beginning to end.  It taught me much about a great figure I knew little about, for it not only recounts von Hildebrand’s harrowing experiences using his voice and his pen against Hitler, it also gives an engaging picture of what life in the lead-up to World War II was really like for those who dared to defy Nazism from its inception.

I must confess I was a bit intimidated when I was asked to review this book.  Although I have studied history, political theory, and theology throughout my life, I certainly couldn’t attempt to hold my own in a philosophical debate on some of the deep questions of human nature and existence with authors like von Hildebrand explored in their writings. Yet I needn’t have worried, for while such underpinnings are important to understanding who von Hildebrand was and why he did what he did in the battle against Nazi totalitarianism, this engrossing volume is less of a philosophical textbook and more of an adventure story, chronicling not only the timeline of how von Hildebrand became a prime target of Hitler’s regime, but also the people and situations he encountered along the path to eventual exile to the United States at the outbreak of war.

Using a collection of materials, including von Hildebrand’s own journals and published writings between 1921 and 1938, Crosby not only gives the reader the opportunity to follow von Hildebrand from his rise to prominence as an outspoken critic of Nazism in Munich, to his “last stand” in Vienna before the Anschluss, he also provides many of the writings which encapsulated von Hildebrand’s ideas, and what got him into trouble with Hitler in the first place. As such, this is a hugely entertaining read, if one may use so seemingly flippant a categorization when reviewing such serious material. Even those who are wholly unfamiliar with von Hildebrand will be drawn in to understanding the man in a way that is not normally attempted in writing about historical figures.

For example, in the journal portion of this volume, von Hildebrand recounts his friendship and meetings with the great conductor Otto Klemperer, who had to flee Germany as a result of being Jewish, and eventually chose to head to the safety of the United States. During their time in Vienna the two men were able to meet often and share their love of Germanic culture, appreciating among other Germanic artists the dignity and elegance of the world evoked by the music of Mozart:

To experience such a distinctive and refined world, filled with the special air of Mozart, and embodied in such a concrete and individual manner, is something very rare. How unusual it is to find the beauty and nobility of this world realized in such perfection, concreteness, and fullness. And what a great and unusual gift it is to find oneself unexpectedly in this world, not for the sake of enjoyment but transported there by life circumstances, not as a spectator but as someone inhabiting it in an entirely natural way.

This idea of the crystalline perfection of Mozart which von Hildebrand expressed in his conversations with Klemperer and in his journals is similarly reflected in his published writings. In one of the selections for this book, “German Culture and National Socialism”, published in June 1934, von Hildebrand’s essay takes aim at the notion that German culture is the slogan-laden caricature presented by the Nazis, rather than the “expressions of the spirit” which come through in its greatest interpreters of art, poetry, and music. “[A]nyone whose heart has been moved by the angelic, sublime beauty of Mozart’s music,” he writes, “can feel nothing but deep revulsion at the sound of the Nazi ‘Horst Vessel Lied’, and must inevitably feel that here two irreconcilable worlds have confronted each other.”

The pairing of von Hildebrand’s private thoughts and experiences with selections from his published writings give us a well-selected overview of the life and work of one of the most important thinkers of the 20th century, in a way that those who know little or nothing of the study of philosophy can appreciate as much as those who are experts in the field. Anyone who can read the chapter entitled “Escape from Vienna” and not be on the edge of their seat, wondering whether the von Hildebrands will be able to get out in time as rumors of the German Anschluss begin, has no taste for adventure. From false alarms to cars that mysteriously break down, angry crowds trying to block taxis to the Gestapo at the door, this chapter alone reads like a film script – except we have to remember that it was real. These are not simply intellectuals with important ideas sitting around waiting for things to happen, but real people, with real relationships, feelings, and concerns, anchored by von Hildebrand himself, who are trying to fight against the greatest evil that had befallen Western Europe since the Plague, and at the same time preserve their own lives and those of their loved ones.

There is so much material to explore in this single collection, that to attempt to do it justice in a single blog post would be an *in*justice.  From von Hildebrand’s outreach to and speaking out on behalf of German Jews, to his quarrels with fellow conservatives who realized too late that Hitler and Nazism could not be contained or controlled, to stories of heroism and courage contrasted with cowardice and betrayal, it will be difficult for the reader to put this book down.  In fact, I myself intend to go back and read it more closely, lingering over the details and some of the debates which von Hildebrand raises in these pages, something which I confess I rarely do after having read a book.  Perhaps that then, is the best review recommendation I can give you, gentle reader, as to why you, too, should add this outstanding work to your library.

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