This Weekend: Music And Liturgy After Vatican II

For those of you in the DC area interested in beautiful music, and particularly in the idea of having beautiful music as part of the liturgy – which, since the 1960’s, has been something of a foreign concept – I invite you to join us at St. Stephen Martyr in Foggy Bottom this weekend and next, for a two-part lecture on how the post-Conciliar Church should and could be using music in worship. The lectures will be given by our Music Director at St. Stephen’s, Neil Weston, and will be held at about 12:15 pm in the Parish Hall. Perhaps you will also consider joining us for the 11:00 am Mass upstairs beforehand, to hear Neil and our Parish Choir in action, since Catholic or not, you are very welcome.

Neil studied at Oxford, the University of London, and the Royal College of Music, and as a conductor and soloist has performed in many venues in Europe and America, including here at the National Cathedral, the Basilica of the National Shrine, and the Kennedy Center. Among other awards to date, he won the American Guild of Organists’ National Competition in Organ Improvisation, and has played on numerous solo and ensemble recordings. Every week at the 11am Sunday Mass, he and our choir help make the liturgy a truly beautiful, uplifting experience, enhancing rather than distracting from the worship of God by the use of their musical gifts.

At the risk of embarassing an Englishman, since they are not an effusive sort of people, I will say that every week I stay behind after the Recessional Hymn at Mass to hear what Neil is going to play, as people shuffle their way out. As you can hear in this example of his solo performance, recorded at St. Stephen’s and showing both Neil and the church, there is a joyful dexterity in his style and wonderful acoustics in the building itself. Neil plays and conducts an enormous variety of music, from the familiar to the unknown, the classical to the contempoary, but always with exceptional good taste and a sense of decorum as to what is suitable for the liturgy.

You can also hear a sample of Neil and our choir at St. Stephen’s performing together in this video, recorded during the Offertory at the 11:00 am Mass on January 10th of this year. I apologize for the quality of the recording which, since it was made on my phone, is not studio-grade. However more to the point of this post, as well as to the lectures which Neil will be giving, this was not music for a major feast day, like Christmas or Easter, but just a normal Sunday Mass. This of course begs the question, if as a rather small parish of only about 500 permanent members St. Stephen’s can make the effort to have a beautiful liturgy like this, every week, why cannot other, larger and welathier parishes do the same?

Hope to see you there this weekend and next, and if you spot me, please drop by and say hello!

image

Light in L’Enfant / Festivity in Foggy Bottom

Light in L’Enfant / Festivity in Foggy Bottom

Thank you again to all of those who attended and shared my post on New Liturgical Movement about Advent Stations with the Dominicans at St. Dominic’s Church in the L’Enfant Plaza neighborhood of DC. This is the second year that the friars have held what they hope will become an annual event here in the Nation’s Capital, and appropriately enough the size of the congregation doubled from last year. (I suppose it is too much to expect that the attendance will therefore triple next year, but who knows?)

You can see some mediocre photographs I took over on my Instagram account, but you can see some superb ones by my friend Fr. Lawrence Lew, O.P., over on the New Liturgical Movement website.  

It was a beautiful evening of light, music, scripture, prayer, and preaching, and one which I highly recommend that you put on your advanced planning calendar for next year.

For those of you who will be in the Washington, D.C. area over Christmas, and are considering where (or if) to attend services, I want to put in a plug for my parish of St. Stephen Martyr in Foggy Bottom.

As I regularly observe on social media, our choir and organist/music director are stupendous, which is no exaggeration. Friends from social media who are not Catholic OR Christian have joined us for Mass at St. Stephen’s, and come away astounded by how beautiful the music is. On Christmas Eve we will be having carols at 6:00 pm, followed by Mass at 6:30 pm, and you are most welcome to attend and celebrate with us. Given the very warm weather we will be having – the forecast high for DC on Christmas Eve is 76 F – and the relatively early hour, you can join us and still have time to go to dinner, put the kids to bed for Santa, or start watching that “Elf” or “Christmas Story” marathon. As an aside, I will be giving one of the Scripture readings from the Acts of the Apostles, so if you do attend I hope you will take a moment to say hello.

image

Photo of St. Dominic's by Fr. Lawrence Lew, O.P.

Talking Movies and Music: Cinematic Snobs

Last evening I had the pleasure of appearing on the Cinematic Snobs podcast with hosts Jay Caruso and Andrea Ruth. We had an entertaining discussion about our Top 5 films about musicians, and fortunately no one came to blows. You can download the episode by following this link.

Below follow my choices for the show, with some explanation to hopefully whet your appetite for seeing these films, or looking at them again in a new way. Being considered quite the snob (by some), I suspect that at least part of my list will come as a surprise to my readers, but here we go:

1.      Autumn Sonata (1978) – Hollywood legend Ingrid Bergman, in her final film, plays a famous musician who spends a raw and painful weekend with her estranged children. Directed by (the equally legendary) Ingmar Bergman, in his last film made specifically for the big screen, this pairing of Sweden’s greatest actress with Sweden’s greatest director took a lifetime to happen, and does not disappoint. Both Bergmans were nominated for Oscars – she for acting, he for the screenplay – and the movie won the Golden Globe for Best Foreign Language film.

2.      Tous les Matins du Monde (1991) – A slow, occasionally surreal, yet passionate interpretation of the life of the late 17th century French musician and composer Marin Marais and his teacher, M. de Sainte-Colombe, this film is based on the novel (and screenplay) of the same name by best-selling author Pascal Quignard. Played both by Gerard Depardieu and – in flashback – by his son Guillaume Depardieu, Marais wants to learn to play the viola da gamba at a high level, and Sainte-Colombe is the elusive master of the instrument. The soundtrack to this film is mesmerizing, and the performances are deeply personal; it won seven Cesar Awards (the French equivalent of the Oscars), including Best Film and Best Music.   

3.      La Vie en Rose (2007) – The film that catapulted Oscar-winning actress Marion Cotillard to international fame, based on the life of the great French singer Edith Piaf, is something of a mess in its editing, and at times the production feels more like a telenovela than a work of serious cinema. Yet these shortcomings are overcome by Cotillard, who transforms herself from young peasant girl to international star to tragic cripple in a performance which was duly recognized by practically all of the major international cinema awards. The intensity of Piaf’s music and Cotillard’s acting are a perfect match.

4.      The Sound of Music (1965) – Just about everyone loves this movie, but not everyone stops to think about the reality on which it was based. The relatively happy life, and relatively simple escape from the Nazis, of the Von Trapp Family Singers as portrayed on film, was not quite as easy as it appears. When life took away their livelihood, music became their new life. This is hinted at in the film, but the film should be your gateway to the real story of the power of music to help us come through adversity.

5.      This Is Spinal Tap (1984) – Admittedly this is what my sister would call a “guy movie” – particularly if you are about 14-16 years old, or, as is probably the case, you are still mentally about that age even if you are now a grown man. A spoof by director Rob Reiner on the pretentious rockumentaries of the 1970’s and 1980’s, the film has a deadly earnestness to it, in which the slowly disintegrating band and their increasingly awful concerts are treated so seriously, that we cannot help but laugh at them – and indeed at ourselves, for taking rock-schlock so seriously. However there is also a sweetness to this movie, in which the unexpected resolution of the plot shows that sticking with what you love, even if your life doesn’t quite turn out the way you expected, is the right decision.

image