Tag Archives: Downton Abbey

What Direction Britain?

Over the weekend while I watched what I knew was coming on the season finale “Downton Abbey” – and no, there will be no spoilers for those few of you who don’t know yet – I was struck by how a costume drama from the Mother County could so enthrall American audiences.  There has always been that so-called “special relationship” between Britain and America despite what they might term the unpleasantness of the Revolution and the War of 1812.  However I wonder how much of that affinity remains at present, or whether we are simply mutually basking in the reflected glow of something now past.

Watching as the current British Prime Minister stumbles his way along through one misguided policy after another, it is hard for an American conservative to fathom that Mr. Cameron happens to be the head of Britain’s Conservative Party.  As recently as the Thatcher, Major, and Blair years, there seemed to be a greater affinity between the two nations with respect to a number of policy issues, regardless of whether it was a Conservative or Labour government.  Yet increasingly under Gordon Brown and now under David Cameron, there is a sense that Britain is going irreversibly in one direction and America in another.

Others of course would argue that Britain is simply ahead of the curve, and that eventually here in the US we will end up something like the UK writ large.  One certainly hopes that this is not the case, and I say that as a life-long Anglophile who has had the good fortune to live in Britain twice.  Though once senses that the mutual values we held of how to achieve mutual prosperity seem to have been eroding rather dramatically.

When we look back to the first half of the previous century, such as the time in which the fictional Crawley family are operating, we notice that there was a healthy fusion of British belief in hard work with an American sense of getting the job done creatively.  British aristocrats married American money to save their houses, and British businessmen went into partnerships with American firms, recognizing that there were natural affinities and mutual needs that could be met through adaptation and change.  After all, what saves Downton Abbey financially is putting a middle-class young man in charge of things, once he gets the backing of his American mother-in-law to persuade her husband.  And lest we forget, like Ladies Mary, Edith, and Sybil Crawley, Sir Winston Churchill himself was half-American.

Yet it must be said that among the Britons whom I regularly interact with, as much as they may love their country, privately they recognize that there are not as many opportunities left for them there, and many of them want to move here.  They see fewer chances of really succeeding on merit in a country which has become so increasingly dependent on government subsidy, and merely surviving rather than thriving.  What Napoleon once referred to as a “nation of shopkeepers”, seems to be increasingly a “nation of victims”.

Now before any of us over on this side of the Atlantic start patting ourselves on the back, or contentedly saying to ourselves, “There but for the grace of God…”, we, too continue to see more and more dependence upon centralized government taking over even the most basic aspects of our lives.  Fortunately our federal system allows for a greater deal of fight-back than we see in Britain, though that requires eternal vigilance, and more often than not the use of the courts, as we see in the current fight over the present Administration’s HHS Mandate.

For all of our complaints about divided government in our unusual American system of government, there is something very good indeed about a weakened Executive Branch in particular.  Among other things, it makes it much harder for any one person or philosophy to absolutely dominate domestic policy.  Thus while he was able to pass Obamcare thanks to his party controlling both the White House and Congress, today Mr. Obama could huff and puff all he wants, but if he were to introduce a bill that Republicans could not support, it simply would not pass.

What the future holds we do not know.  We can be sure that it will be a less prosperous one for both nations, thanks to factors such as short-sighted budget policies more focused on present consumption than future growth, or promoting population control as a way to reign in costs while simultaneously gutting future benefits.  In the end one does not fear for America so much, since she changes regularly throughout her history, but one wonders what will become of dear old Blighty once it is little more than a cog in the European socialist machine.  And that is something which the British will have to answer for themselves.

Matthew

Cousin Matthew out for a spin on “Downton Abbey”

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The Curious Appeal of “Downton Abbey”

For my regular readers who have not seen the Season Two finale of “Downton Abbey” yet, do not worry: I will not be providing any spoilers in the following blog post. Nor am I going to expound upon why I find it ridiculous, which I did at the conclusion of Season One, as you can read here.   Instead, recognizing that the show seems to have struck a chord with many people, and is being referenced in everything from Ralph Lauren’s Fall/Winter 2012 collection which just walked the runway last week, to the popularity of YouTube tribute videos such as [please forgive the vulgarity] “Sh*t the Dowager Countess Says“, I want to ask the question: why is this decidedly old-fashioned type of British melodrama attracting such a significant audience here in America?

One school of thought can best be encapsulated in a conversation I had yesterday afternoon with an elderly gentleman in my neighborhood with whom I have had a nodding acquaintance for many years.  A New Englander by birth and education, he holds an Ivy League doctorate in cultural anthropology, speaks several difficult languages fluently, and has lived all over the world.  We discussed the convoluted plot lines and numerous anachronisms of the television series, and yet both wondered aloud at the fact that two reasonably educated fellows such as ourselves were still watching the thing, for some inexplicable reason.  ”For me,” my learned if lefty friend concluded,”the truth is that ‘Downton Abbey’ is a lot like President Obama.  It’s bad, and I don’t believe it, but there’s no appealing alternative.”

While that might explain the attraction for some people, it certainly does not speak to everyone’s interest.  Since so much of popular dramatic evening television in this country at the present time is the worship of hyper-sexualized violence, “Downton Abbey” is something else entirely.  It is probably a relief for many to be able to watch a program that looks good and, while dealing with adult themes, exhibits at least some restraint in its portrayal of sex and violence, compared to other television shows which have captured the popular imagination of late.

Another possibility is the escapism of a more glamorous time, which becomes particularly engaging when economic and political times are hard.  The appeal of shows like “Pan-Am” or “Mad Men” in this country, for example, is in part due to a reflection back on when things seemed to be a bit more elegant and attractive than they are now.  It would be hard to imagine people becoming engaged in, for example, a soap opera set in the Dust Bowl during the Depression, though stranger things have happened.

However another explanation is something I raised at brunch after Sunday mass, in the company of a largish number of friends of both sexes: Could it be that “Downton Abbey” is the new “Desperate Housewives”? When the latter show premiered, I found it watchable because it was so surreal, and wicked in its send-up of soap opera clichés.  I actually enjoyed the first few episodes quite a bit, until Oprah Winfrey picked up on the show and decided to give it her imprimatur; that, in turn, made it too popular and I stopped watching it.  However it is interesting that both series share a certain kind of fantastical unbelievability rooted in realism: “Desperate Housewives” was set in contemporary American suburbia, of course, and “Downton Abbey” in Edwardian English manor life, and yet neither of their universes seems entirely plausible, no matter how much attention to detail is put in by the filmmakers.

Like “Desperate Housewives”, the female characters on “Downton Abbey” are all beautiful, highly complex women from different socio-economic classes, who often find themselves struggling to assert ideas of their own purpose in life, or to follow their dreams of forbidden romance.  There are in both series the same cartoon-like characters who are marked out as black-and-white evil, without nuance; they occasionally do a good turn for someone else, but inevitably they do not learn from their experiences, and go back to being villains.  And just like on “Desperate Housewives”, the campy-slapstick factors in “Downton Abbey” are sometimes rather high, despite the serious tones and the furrowing of brows.

That being said, I did wonder aloud in conversation with the ladies at the table whether “Downton Abbey” is what the old Hollywood movie moguls used to call a “women’s picture”.  While the term would be viewed in some quarters as a misogynistic categorization today, it really is no different from the term “chick flick”, though of course cultural morays have changed rather dramatically in the transition.  A film or a novel where the men are not really particularly complicated characters, but the women all go through very complicated storyline arcs, will naturally appeal more to women than to men, even if men can enjoy them.  Indeed, the last British television series to make a big splash on these shores, “Cranford”, was an almost stereotypical “women’s picture”, based on novels that, with apologies to Mrs. Gaskell, one might consider something like Victorian “chick lit” –  or perhaps more accurately, Victorian “granny lit”.

We shall have to wait another year or so to see what happens next with the Crawley family and their retainers.  No doubt the choice of Shirley MacLaine to play the American grandmother to Lady Mary and her sisters is specifically intended to draw in an even larger American audience, in order to see her go toe-to-toe with Dame Maggie Smith in some Dynasty-style geriatric catfighting.    However, I also have had a suspicion from Season One onward that Lady Cora and her side of the family are going to turn out to be Jewish, or at least partially Jewish, based on some things Lady Cora has mentioned in passing during the course of the series.  This would seem to be further borne out by the announcement that Ms. MacLaine’s character for “Downton Abbey” is to be named Martha Levinson.  Having this in the mix it will allow the filmmakers to explore the themes of antisemitism that in part led to the development of European fascism during the 1920′s and 30′s.

As indicated briefly above, there are many possible theories as to why “Downton Abbey” has attracted such a significant audience in this country.  They may all be valid, or none of them may be; the reader is of course free to agree or disagree with them.  However regardless of why other people watch it, or indeed my regular mockery of it on social media and in conversation with others, I must admit that I will be looking forward to seeing what comes next.

Scene from last evening’s Season Two Finale of “Downton Abbey”

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